Their version altered the guitar figure somewhat and added some new lyrics: You don't love me baby, you don't love me yes I know (2×) Although it became a regional hit when it was released in Memphis, Tennessee, copyright issues prevented its further promotion and national chart success. Adapted from Bo Diddley's 1959 song "She's Fine She's Mine", it is Cobbs' best-known song and features a guitar figure and melody that has appealed to musicians in several genres. No copyright infringement intended. The song inspired many adaptations, such as "Shimmy Shimmy Walk" by the Megatons and "You Don't Love Me (No, No, No)" by Jamaican singer Dawn Penn. A Vee-Jay discography lists Rico Collins on tenor saxophone, Wilbert Harris on drums, and Cobbs on bass. In 1994, she remade it as the dancehall-influenced "You Don't Love Me (No, No, No)", which was an international hit.
 Later, Kooper explained in his autobiography: "[The Wells/Guy version] was usually done as a shuffle, but I found it lent itself well to a heavy-metal eighth-note feel.
ENJOY!  It was released as a two-part single by Dodge Records, based in Feriday, Louisiana.  In 1958, Cobbs recorded an unsuccessful single for Ruler Records and auditioned for James Bracken and Vee-Jay Records, who felt that he sounded too similar to their biggest artist, Jimmy Reed.  Cobbs claims that he heard a field hand singing "Uh, uh, uh, you don't love me, yes I know" to a haunting melody one morning and that inspired him to write a song. Hailee Steinfeld – Love Myself (Official Video) Download The Song!  A review in Billboard magazine noted, "While this is a traditional blues in form, the unusual, almost exotic, arrangement with its hypnotic beat combined with Bo Diddley's anguished vocal takes this far out of the range of the ordinary". "Al Kooper/Mike Bloomfield/Stephen Stills: "Allman Brothers Band: New York, NY – Sunday, August 15, 1971, Academy of Music, Setlist", Blues for Elvis – King Does the King's Things, Wipe the Windows, Check the Oil, Dollar Gas, An Evening with the Allman Brothers Band: First Set, An Evening with the Allman Brothers Band: 2nd Set, Live at the Atlanta International Pop Festival: July 3 & 5, 1970, S.U.N.Y.
 However, Cobbs claims that an unknown bassist performed for the session, after his regular bass player had quit. " Duane Allman chose "You Don't Love Me" to create a special tribute to recently slain R&B saxophonist King Curtis, interweaving Curtis' signature "Soul Serenade" into a rendition of the song played at a band show at the Academy of Music in Manhattan on August 15, 1971. , Cobbs and Boyd eventually returned to Arkansas and began performing in the local clubs.  In 1965, the duo recorded the song as "You Don't Love Me Baby" for their influential album Hoodoo Man Blues. "You Don't Love Me" is a rhythm and blues-influenced blues song recorded by American musician Willie Cobbs in 1960.  Diddley uses a repeated figure on his tremolo-laden guitar and the first verses are sung without lyrics: Ah ah ah, ah ah ah ah ah ah (2×)  Music journalist Rob Chapman calls "You Don't Love Me" "Willie Cobbs's 1961 adaptation and retitling of Bo Diddley's 1955 'She's Fine, She's Mine'.  They subsequently issued the single and in an April 3, 1961, review of new records in Billboard, it was listed under "R&B Limited Potentials". Cobbs sang while Boyd accompanied him on piano. "She's Fine She's Mine" was included as the B-side to his second single, "Diddley Daddy". Jamaican singer Dawn Penn recorded "You Don't Love Me" in 1967.  Hoping to reach a wider audience, Kessler and Riley sold the master recording to Home of the Blues Records, the label that had previously turned Cobbs down. It was first released on the band's Dreams compilation in 1989, and later on Live from A&R Studios in 2016.  The song has been interpreted and recorded by artists in a variety of styles, with some following the Diddley/Cobbs versions and others following the Wells/Guy versions. , Cobbs began performing "You Don't Love Me" to enthusiastic audiences and approached a record label in Memphis, Tennessee, with the hope of recording it. " AllMusic critic Lindsay Planer noted in an album review: "Updating the blues standard 'You Don't Love Me' allows Stills to sport some heavily distorted licks, which come off sounding like Jimi Hendrix."[a]. Willie Cobbs, an Arkansas native, moved to Chicago in 1947, where he began exploring the burgeoning blues scene centered around Maxwell Street. sfn error: no target: CITEREFLiving_Blues2000 (, sfn error: no target: CITEREFO'Neal2002 (, sfn error: no target: CITEREFLeadbitter1987 (.  According to blues historian Gerard Herzhaft, Riley asserts that he was the only guitarist at Cobbs' Mojo session, contrary to Cobbs' and Lawhorn's recollections.  A version of the "You Don't Love Me/Soul Serenade" medley was subsequently recorded as part of a in-studio concert held at record label A&R Studios in Manhattan on August 26, 1971, and broadcast live by WPLJ-FM.  However, two other producers, Billy Lee Riley and Stan Kessler, overheard the audition and offered to record him.  According to Cobb and Boyd, Sammy Lawhorn, who later was a member of Muddy Waters' touring band, provided the distinctive guitar figure.
 Cobbs has revisited "You Don't Love Me" several times, including in 1998 for his Pay or Do 11 Months & 29 Days album. Well you don't love me baby, you don't love me I know, The lyrics "she's fine she's mine" do not appear in the song (Diddley had recorded an unrelated song, "You Don't Love Me (You Don't Care)", with different music and lyrics two months prior on March 2, 1955, which was released on his Go Bo Diddley album).  She was introduced to the song by producer Coxsone Dodd, who imported American rhythm and blues records to play for his sound system entertainment businesses. " Bo Diddley recorded the song in 1955 for Checker Records, a Chess subsidiary. Side I is the hot side, it swings." "Diddley Daddy" / "She's Fine She's Mine". , In 1961, the Megatons, a Louisiana-based instrumental combo, recorded "Shimmy, Shimmy Walk, Part 1" an instrumental version of "You Don't Love Me". ), Trouble ensued when Riley took the songwriting credit for "Shimmy Shimmy Walk, Part 1", an instrumental version of the song recorded by the Megatons, a Louisiana-based group. According to Cobb and Boyd, Sammy Lawhorn, who later was a member of Muddy Waters' touring band, provided the distinctive guitar figure.  The single was later distributed by Checker Records and reached number 88 on the Billboard Hot 100. The Allman Brothers Band included the song on their original lineup setlist. :D Sorry if any lyrics are wrong.  Penn's rendition inspired versions by Rihanna, who recorded it in 2005 with Vybz Kartel for Music of the Sun, and Beyoncé Knowles for the I Am... World Tour live CD/DVD in 2010 .
, Cobbs and Boyd entered the Echo Studio in Memphis to record "You Don't Love Me" for Riley's Mojo Records. . "You Don't Love Me" was a staple of Junior Wells and Buddy Guy's repertoire. (C) 1992 SONY BMG MUSIC ENTERTAINMENT (UK) LIMITED  (An additional release by Ruler Records has overdubbed organ. No no no, you don't love me and I know now (2×) Music video by Prefab Sprout performing If You Don't Love Me. at Stonybrook: Stonybrook, NY 9/19/71, Play All Night: Live at the Beacon Theatre 1992, The Essential Allman Brothers Band: The Epic Years, Col. Bruce Hampton and the Aquarium Rescue Unit, https://en.wikipedia.org/w/index.php?title=You_Don%27t_Love_Me_(Willie_Cobbs_song)&oldid=974557007, Short description is different from Wikidata, Pages using infobox song with unknown parameters, Creative Commons Attribution-ShareAlike License, This page was last edited on 23 August 2020, at 18:01. , In 1968, Al Kooper with Stephen Stills recorded "You Don't Love Me" for the highly successful Super Session album. However, Cobbs claims that an unknown bassist performed for the session, after his regular bass playe…  Home of the Blues also leased the single to Vee-Jay Records (who had also passed on recording Cobbs), who issued it; a review by Billboard on November 27, 1961, indicated that it had "strong sales potential". Later, when I mixed the album, I put the two-track mix through a process called 'phasing' that gave it an eerie jet-plane effect. All copyright goes to their rightful owner(s). 'Cause you left me baby, and I have no place to go.  The owner of the Home of the Blues record company turned him down—"He said, 'It's a damn good song but you can't sing'", Cobbs recalled.
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