TWO-SHOT: Close-up or medium shot of two persons. A film's style is influenced by mode of production, country, period, and conventions, and the particular director's artistic choices. See also REACTION SHOT. SPECIAL EFFECTS: Artistic effects (such as wipes, split screens, matte shots, and rear projection) that are unobtainable from straight-forward motion-picture photography and have been manipulated or combined. In 1984, the average length of a shot was 8.4 seconds; a long take is a shot of significantly longer duration than the average. 2. Thus objects and people can be made to appear or disappear.. This alternation between actions proposes to the viewer that they are taking place at the same time. Jump cuts are now a common feature of music videos and TV advertising. END. This last effect was first used by Georges Melies in A Trip to the Moon and other early films. Direct cinema is often characterized by AVAILABLE (natural) LIGHTING, shoulder-mounted camera, and DIRECT SOUND. ZOOM SHOT: A shot taken with a zoom lens (i.e., a variable focal lenqth lens which makes it possible to move visually toward or away from a subject without moving the camera).                                         HIGH-ANGLE SHOT: A shot which looks down on a character or object from a height. MEDIUM LONG SHOT (MLS): A shot in which an object that is 4-5 feet tall fills the screen vertically. The shots may be placed back-to-back (plastic cut) or one may dissolve into the next (plastic dissolve). TELEPHOTO LENS: A lens of long focal length with a narrow angle of view. (Defined in detail under its own alphabetical listing.) Also called “lap dissolves” and, in England, "mixes."

Such an image is often used as an ESTABLISHING SHOT. [2] Frank Scheck of The Hollywood Reporter called Trick "a slasher film with a dull edge" and wrote that "the film goes down an extremely predictable path, mainly buying time between killing sprees". This is how King Kong was made and Claymation is filmed.                     FRAME: The individual picture on a strip of film. 180 DEGREE SYSTEM: Maintaining left-right spatial relations on screen by not letting cameras cross the AXIS OF ACTION. LOW-ANGLE SHOT: A shot which looks up at the subject. It is often newsreel footage of famous people and events and other hard-to-shoot footage. SEQUENCE: A dramatic unit coraprised of shots or scenes linked together by a common idea or image. SCENE: A dramatic action consisting of one or more shots and taking place in more or less continuous time and space. In a shooting script, specific locations, setups, and even shots may be numbered as scenes although, strictly speaking, they are not. Sometimes called "back projection" or a "process shot." See SYNC. Compare with OFF-SCREEN or OFF-CAMERA DIALOGUE. Formats include: VUS, Beta, HIS, Digital Video, and Mini-DV. It often looks like this: This diffused effect is also often used to photograph aging actors and actresses. LONG TAKE: A shot of unusually long duration. SEQUENCE:see UNITS OF FILM LENGTH.

Although it is commonly associated with supply-side economics, there is … NARRATION: The process by which the plot conveys or withholds story information. 3) The camera is run continuously then stopped; objects or people are removed; the camera is run normally again. REEL: 1) Physical object on which film is wound; 2) Length {in time) of film on a given reel. 3. STATIC SHOT: see SHOT. often accomplished with a zoom lens. WIDE ANGLE LENS: A lens of short focal-length with a broad angle of view. For example, if we cut away for part of a movement, when we cut back we may have cut out a large chunk of the action. VOICE OVER (V.O. ): Narration, usually added in post-production, that occurs outside the immediate on-screen world of the film. At its extreme, asynchronous sound is contrapuntal; that is, the sound If it is done smoothly, the moving subject will always stay in focus. VOICE OVER (V.O. SOFT FOCUS see FOCUS. with a DOLLY SHOT, objects pass by the camera, giving a feeling of depth. PLASTIC CUT/DISSOLVE or MATCH CUT/DISSOLVE: Framing in a successive shot an object which begins with a shape or contour similar to an image in the preceding shot.

By the middle of 2000 most studios and distributors stopped distributing titles in the format. TELEPHOTO LENS: A lens of long focal length with a narrow angle of view.

A film's style is influenced by mode of production, country, period, and conventions, and the particular director's artistic choices. For instance, Citizen Kane is structured as a series of flashbacks alternated with the reporter's search in the present. REEL: 1) Physical object on which film is wound; 2) Length {in time) of film on a given reel. Compare with OFF-SCREEN or OFF-CAMERA DIALOGUE. TWO-SHOT: see SHOT This is a popular TV effect that can be seen in shows such as NYPD Blue, Third watch, and soap operas.

A dissolve is a fade-out which overlaps a fade-in. For instance, Citizen Kane is structured as a series of flashbacks alternated with the reporter's search in the present. REACTION SHOT: 1) A CUT-AWAY shot of a person reacting to the main action as a listener or spectator.

SHOT: A piece of film that has been exposed without cuts or interruptions.

DOLLY, TRUCKING, OR TRACKING SHOT: A shot taken from a moving dolly (a platform on a set of wheels). SWISH PAN: see SHOT. A fade-out gradually gets darker or fades to black. a zoom lens.                                         ESTABLISHING SHOT, Often the opening shot of a film or a sequence, showing the location of a scene or the arrangement of its characters. SYNC or SYNCHRONISM: sound that is matched temporally with the movements occurring in the images, as when dialogue corresponds to lip movements. It is often newsreel footage of famous people and events and other hard-to-shoot footage.

RACK or SEARCH FOCUS: The switching of focus during a shot from one person or thing to another. Compare WIDE ANGLE LENS. Compare with OFF-SCREEN or OFF-CAMERA DIALOGUE.                                         HIGH-ANGLE SHOT: A shot which looks down on a character or object from a height. A POV shot usually follows a shot of the person (whose view it represents) looking off-screen. The terms cutting and editing are synonymous. STOCK FOOTAGE: Footage borrowed from previous films or a stock library. LIGHTING: Light can be natural (daylight) or artificial. THREE SHOT: see SHOT. FLAT LIGHTING: see LIGHTING. THEME: An overarching idea conveyed by a film (as opposed to the plot, which is what happens). FOLLOW FOCUS: see FOCUS. REVERSE MOTION: Screen action that runs backwards.

CAMERA MOVEMENTS:

one of the early effective uses of the Steadicam is in Stanley Kubrick's The Shining, where the camera follows characters through the maze of the hotel. 4. MOVING SHOTS: see CAMERA MOVEMENTS. THREE SHOT: see SHOT. For other ways of manipulating time see: FAST MOTION and SLOW MOTION, JUMP-CUTS, REVERSE MOTION, and FREEZE FRAME. SPECIAL EFFECTS: Artistic effects (such as wipes, split screens, matte shots, and rear projection) that are unobtainable from straight-forward motion-picture photography and have been manipulated or combined. REACTION SHOT: 1) A CUT-AWAY shot of a person reacting to the main action as a listener or spectator. 2) The method used for TIME LAPSE.PHOTOGRAPHY, which is extreme FAST MOTION (for example, one frame every thirty seconds).

ZOOM SHOT: A shot taken with a zoom lens (i.e., a variable focal lenqth lens which makes it possible to move visually toward or away from a subject without moving the camera).

CLOSE-UP (CU): A shot in which the head of a person, or the entirety of a small object is shown. Compare to TELEPHOTO LENS. SEQUENCE SHOT:: see SHOT SWISH PAN: see SHOT. REEL: see UNITS OF FILM LENGTH. MULTIMEDIA: An ambiguous term describing the combination of audio, video, and other information with graphics, control, storage, and other features of computer-based Systems. Denver sends her to the hospital and Cheryl accompanies her, where Cheryl finds that Trick has killed her hospitalized father. Formats include: VUS, Beta, HIS, Digital Video, and Mini-DV. Applications include presentation, editing, interactive learning, and games. It often looks like this: SCENE: A dramatic action consisting of one or more shots and taking place in more or less continuous time and space. Such an image is often used as an ESTABLISHING SHOT. In classical Hollywood films, this technique was often used when a scene took place inside a moving vehicle (see any Hitchcock film, but especially Vertigo). Film theory examines questions regarding the nature of cinema (what is cinema?)

SHOT/COUNTER-SHOT see REVERSE-ANGLE SHOT (under SHOT). They are created either in the camera or during editing. SCENE: A dramatic action consisting of one or more shots and taking place in more or less continuous time and space. STOCK FOOTAGE: Footage borrowed from previous films or a stock library. THREE SHOT: Close-up or medium shot of three persons. 2) The method used for TIME LAPSE.PHOTOGRAPHY, which is extreme FAST MOTION (for example, one frame every thirty seconds). SEARCH FOCUS: see FOCUS. LOW-ANGLE SHOT: A shot which looks up at the subject. Film theory examines questions regarding the nature of cinema (what is cinema?) NONLINEAR EDITING: Random-access editing of video and audio on a computer rather than physically cutting the film. SHOT: A piece of film that has been exposed, without cuts or interruptions, in a single running of the camera. A film's style is influenced by mode of production, country, period, and conventions, and the particular director's artistic choices. TRANSITIONS: Besides cutting directly frorn the last frame of one shot to the first frame of another shot, the following transitions can be used to connect shots. STATIC SHOT: see SHOT. They are created either in the camera or during editing. CLOSE-UP (CU): A shot in which the head of a person, or the entirety of a small object is shown. UNITS OF FILM LENGTH: STATIC SHOT: see SHOT.

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trick film definition

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MEDIUM SHOT: see SHOT. TAKE: One of the many recordings of a given shot. LOW-ANGLE SHOT: A shot which looks up at the subject. TWO-SHOT: Close-up or medium shot of two persons.

It exaggerates apparent depth of space and is often used for DEEP FOCUS shots. VIDEO: The picture portion of a broadcast TV signal; an electronic signal making a TV picture. For example, if we cut away for part of a movement, when we cut back we may have cut out a large chunk of the action. Compare with OFF-SCREEN or OFF-CAMERA DIALOGUE. The shot is often regarded as the elemental division of a film. FADE: A shot that begins in darkness and gradually assumes full brightness is a fade-in. In the Soviet Union daring the 1920s and 1930s, montage meant INTELLECTUAL MONTAGE. OR OFF-CAMERA (o.c.) Steve Hayes (A. Chapman), "I Am Woman* (Dance Mix)" Jessica Williams (Helen Reddy; Ray Burton), "Trick of Fate/Enter You (Finale) [Instrumental]" Soundtrack (. This is how King Kong was made and Claymation is filmed. CLOSE-UP (CU): A shot in which the head of a person, or the entirety of a small object is shown. If the camera were to cross the axis, the spatial relations would be reversed.

TWO-SHOT: Close-up or medium shot of two persons. A film's style is influenced by mode of production, country, period, and conventions, and the particular director's artistic choices. See also REACTION SHOT. SPECIAL EFFECTS: Artistic effects (such as wipes, split screens, matte shots, and rear projection) that are unobtainable from straight-forward motion-picture photography and have been manipulated or combined. In 1984, the average length of a shot was 8.4 seconds; a long take is a shot of significantly longer duration than the average. 2. Thus objects and people can be made to appear or disappear.. This alternation between actions proposes to the viewer that they are taking place at the same time. Jump cuts are now a common feature of music videos and TV advertising. END. This last effect was first used by Georges Melies in A Trip to the Moon and other early films. Direct cinema is often characterized by AVAILABLE (natural) LIGHTING, shoulder-mounted camera, and DIRECT SOUND. ZOOM SHOT: A shot taken with a zoom lens (i.e., a variable focal lenqth lens which makes it possible to move visually toward or away from a subject without moving the camera).                                         HIGH-ANGLE SHOT: A shot which looks down on a character or object from a height. MEDIUM LONG SHOT (MLS): A shot in which an object that is 4-5 feet tall fills the screen vertically. The shots may be placed back-to-back (plastic cut) or one may dissolve into the next (plastic dissolve). TELEPHOTO LENS: A lens of long focal length with a narrow angle of view. (Defined in detail under its own alphabetical listing.) Also called “lap dissolves” and, in England, "mixes."

Such an image is often used as an ESTABLISHING SHOT. [2] Frank Scheck of The Hollywood Reporter called Trick "a slasher film with a dull edge" and wrote that "the film goes down an extremely predictable path, mainly buying time between killing sprees". This is how King Kong was made and Claymation is filmed.                     FRAME: The individual picture on a strip of film. 180 DEGREE SYSTEM: Maintaining left-right spatial relations on screen by not letting cameras cross the AXIS OF ACTION. LOW-ANGLE SHOT: A shot which looks up at the subject. It is often newsreel footage of famous people and events and other hard-to-shoot footage. SEQUENCE: A dramatic unit coraprised of shots or scenes linked together by a common idea or image. SCENE: A dramatic action consisting of one or more shots and taking place in more or less continuous time and space. In a shooting script, specific locations, setups, and even shots may be numbered as scenes although, strictly speaking, they are not. Sometimes called "back projection" or a "process shot." See SYNC. Compare with OFF-SCREEN or OFF-CAMERA DIALOGUE. Formats include: VUS, Beta, HIS, Digital Video, and Mini-DV. It often looks like this: This diffused effect is also often used to photograph aging actors and actresses. LONG TAKE: A shot of unusually long duration. SEQUENCE:see UNITS OF FILM LENGTH.

Although it is commonly associated with supply-side economics, there is … NARRATION: The process by which the plot conveys or withholds story information. 3) The camera is run continuously then stopped; objects or people are removed; the camera is run normally again. REEL: 1) Physical object on which film is wound; 2) Length {in time) of film on a given reel. 3. STATIC SHOT: see SHOT. often accomplished with a zoom lens. WIDE ANGLE LENS: A lens of short focal-length with a broad angle of view. For example, if we cut away for part of a movement, when we cut back we may have cut out a large chunk of the action. VOICE OVER (V.O. ): Narration, usually added in post-production, that occurs outside the immediate on-screen world of the film. At its extreme, asynchronous sound is contrapuntal; that is, the sound If it is done smoothly, the moving subject will always stay in focus. VOICE OVER (V.O. SOFT FOCUS see FOCUS. with a DOLLY SHOT, objects pass by the camera, giving a feeling of depth. PLASTIC CUT/DISSOLVE or MATCH CUT/DISSOLVE: Framing in a successive shot an object which begins with a shape or contour similar to an image in the preceding shot.

By the middle of 2000 most studios and distributors stopped distributing titles in the format. TELEPHOTO LENS: A lens of long focal length with a narrow angle of view.

A film's style is influenced by mode of production, country, period, and conventions, and the particular director's artistic choices. For instance, Citizen Kane is structured as a series of flashbacks alternated with the reporter's search in the present. REEL: 1) Physical object on which film is wound; 2) Length {in time) of film on a given reel. Compare with OFF-SCREEN or OFF-CAMERA DIALOGUE. TWO-SHOT: see SHOT This is a popular TV effect that can be seen in shows such as NYPD Blue, Third watch, and soap operas.

A dissolve is a fade-out which overlaps a fade-in. For instance, Citizen Kane is structured as a series of flashbacks alternated with the reporter's search in the present. REACTION SHOT: 1) A CUT-AWAY shot of a person reacting to the main action as a listener or spectator.

SHOT: A piece of film that has been exposed without cuts or interruptions.

DOLLY, TRUCKING, OR TRACKING SHOT: A shot taken from a moving dolly (a platform on a set of wheels). SWISH PAN: see SHOT. A fade-out gradually gets darker or fades to black. a zoom lens.                                         ESTABLISHING SHOT, Often the opening shot of a film or a sequence, showing the location of a scene or the arrangement of its characters. SYNC or SYNCHRONISM: sound that is matched temporally with the movements occurring in the images, as when dialogue corresponds to lip movements. It is often newsreel footage of famous people and events and other hard-to-shoot footage.

RACK or SEARCH FOCUS: The switching of focus during a shot from one person or thing to another. Compare WIDE ANGLE LENS. Compare with OFF-SCREEN or OFF-CAMERA DIALOGUE.                                         HIGH-ANGLE SHOT: A shot which looks down on a character or object from a height. A POV shot usually follows a shot of the person (whose view it represents) looking off-screen. The terms cutting and editing are synonymous. STOCK FOOTAGE: Footage borrowed from previous films or a stock library. LIGHTING: Light can be natural (daylight) or artificial. THREE SHOT: see SHOT. FLAT LIGHTING: see LIGHTING. THEME: An overarching idea conveyed by a film (as opposed to the plot, which is what happens). FOLLOW FOCUS: see FOCUS. REVERSE MOTION: Screen action that runs backwards.

CAMERA MOVEMENTS:

one of the early effective uses of the Steadicam is in Stanley Kubrick's The Shining, where the camera follows characters through the maze of the hotel. 4. MOVING SHOTS: see CAMERA MOVEMENTS. THREE SHOT: see SHOT. For other ways of manipulating time see: FAST MOTION and SLOW MOTION, JUMP-CUTS, REVERSE MOTION, and FREEZE FRAME. SPECIAL EFFECTS: Artistic effects (such as wipes, split screens, matte shots, and rear projection) that are unobtainable from straight-forward motion-picture photography and have been manipulated or combined. REACTION SHOT: 1) A CUT-AWAY shot of a person reacting to the main action as a listener or spectator. 2) The method used for TIME LAPSE.PHOTOGRAPHY, which is extreme FAST MOTION (for example, one frame every thirty seconds).

ZOOM SHOT: A shot taken with a zoom lens (i.e., a variable focal lenqth lens which makes it possible to move visually toward or away from a subject without moving the camera).

CLOSE-UP (CU): A shot in which the head of a person, or the entirety of a small object is shown. Compare to TELEPHOTO LENS. SEQUENCE SHOT:: see SHOT SWISH PAN: see SHOT. REEL: see UNITS OF FILM LENGTH. MULTIMEDIA: An ambiguous term describing the combination of audio, video, and other information with graphics, control, storage, and other features of computer-based Systems. Denver sends her to the hospital and Cheryl accompanies her, where Cheryl finds that Trick has killed her hospitalized father. Formats include: VUS, Beta, HIS, Digital Video, and Mini-DV. Applications include presentation, editing, interactive learning, and games. It often looks like this: SCENE: A dramatic action consisting of one or more shots and taking place in more or less continuous time and space. Such an image is often used as an ESTABLISHING SHOT. In classical Hollywood films, this technique was often used when a scene took place inside a moving vehicle (see any Hitchcock film, but especially Vertigo). Film theory examines questions regarding the nature of cinema (what is cinema?)

SHOT/COUNTER-SHOT see REVERSE-ANGLE SHOT (under SHOT). They are created either in the camera or during editing. SCENE: A dramatic action consisting of one or more shots and taking place in more or less continuous time and space. STOCK FOOTAGE: Footage borrowed from previous films or a stock library. THREE SHOT: Close-up or medium shot of three persons. 2) The method used for TIME LAPSE.PHOTOGRAPHY, which is extreme FAST MOTION (for example, one frame every thirty seconds). SEARCH FOCUS: see FOCUS. LOW-ANGLE SHOT: A shot which looks up at the subject. Film theory examines questions regarding the nature of cinema (what is cinema?) NONLINEAR EDITING: Random-access editing of video and audio on a computer rather than physically cutting the film. SHOT: A piece of film that has been exposed, without cuts or interruptions, in a single running of the camera. A film's style is influenced by mode of production, country, period, and conventions, and the particular director's artistic choices. TRANSITIONS: Besides cutting directly frorn the last frame of one shot to the first frame of another shot, the following transitions can be used to connect shots. STATIC SHOT: see SHOT. They are created either in the camera or during editing. CLOSE-UP (CU): A shot in which the head of a person, or the entirety of a small object is shown. UNITS OF FILM LENGTH: STATIC SHOT: see SHOT.

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