After sitting down to plan their first album, they got as far as writing one line, "the ghosts of country music," when the second big quake struck. "I'm more of a passive drifter really, I follow what I feel I'm doing well at and I'd discovered the thrill of being in a tight band that could go up and down the country playing shows. The title track to the album Marlon released in February this year has been re-recorded with the Te Pou Tiriao singers, a community choir founded by Canterbury youth worker Zion Tauamiti. A combination of country croon and vibrato swoon, it is the product of the cathedral, the marae, and the bar. "I knew Zion was running a Māori and Pacifica youth community choir in East Christchurch, an area absolutely put through the wringer and hung out to dry in post earthquake Canterbury. I hate that bullshit about, like, ‘How could he have written those songs, you’re too young to have lived through that.’ Fucking Hank Williams was dead by the time he was 30, so it’s bullshit that it has to be forged through life lessons. "Whether it's that sort of physical appreciation or someone telling me they have an incredibly deep emotional connection with my songs … all that stuff just goes into my 'don't think too much about that' basket. No syllable is a struggle, no note is out of reach. I’m just a little bit allergic to that… I don’t feel inauthentic or I don’t feel authentic. The road tunnel from Christchurch became so scary Lyttelton was isolated from everywhere, leaving the tiny community with little choice but to pull together to party heroically. The Spinoff is a New Zealand online magazine covering politics, pop culture and social issues. I want to be top dog sometimes and sometimes there’s that part of me that wants to hurt other people with whatever power I have. He actually puts me in mind of another young man with a guitar and a country and western background and, while Marlon may not shake his hips like Elvis, he has the same way of sucking people in, and that's a rare phenomenon.". I hate that bullshit about, like, ‘How could he have written those songs, you’re too young to have lived through that.’ Fucking Hank Williams was dead by the time he was 30, so it’s bullshit that it has to be forged through life lessons. You'll then be asked to choose a password so you The Unfaithful Ways had also recorded an album, only for the master tape to end up trapped inside their red-zoned studio after the first Christchurch earthquake. "Yeah! Williams recruited a familiar cast of musicians for his long-awaited debut, including Davidson and long-time producer Ben Edwards. It's a weird psychological battle to keep him at bay, and to try and be productive," he says. ​He's a soulful crooner, an alt-country pin-up, an alchemist who turned heartbreak into a Silver Scroll.
Whatever stories this record is telling, we can be sure that there are many more to be told, and that all of them have different sides and competing interpretations.

But a casual, boyish beauty seals the deal. But it was easy to speculate that the “perfect man” Harding really wanted back again in ‘Blend’ and the wounded babe she scolds in ‘Horizon’ (“I’m showing that person two things; their life, and their life with me. I just keep myself busy, chasing projects I'm inspired by, with no real idea of where I might end up.". It’s a mournful album about desire (‘Come to Me’); miscommunication (‘What’s Chasing You’); lust (‘Beautiful Dress’); possessiveness (‘Party Boy’); longing and jealousy (‘Can I Call You?’); melancholy (‘Love is a Terrible Thing’); bitterness (‘I Know a Jeweller’); vengeance and infidelity (‘I Didn’t Make a Plan’); resignation (‘The Fire of Love’); bargaining and acceptance (‘Nobody Gets What They Want Anymore’); and, just maybe, hope (‘Make Way for Love’). He’s. 2014 found Williams playing major festivals and making television appearances leading to sold out tours of Australia and New Zealand before heading into the studio to record his debut solo album. In the same way God is.”, is a classic break-up album, like Bob Dylan’s, (also about a relationship with another musician). And what if the subject is not only an artist too, but has made work about the same thing and chosen not to talk about it explicitly? Photo / Nick Reed. “In typical Christchurch circles, that’s how you approach someone.” But, unlike some of his friends, he loved the school, with its rules and its traditions.
"It is interesting, you're still trying to get to a certain place with your audience but without phrasing and beauty of tone, but whether it's a new form of employment or another creative adventure? Williams will undertake a 12-show tour of New Zealand this summer. Growing up, his dad was a punk singer. Williams also won Album of the Year, Best Solo Artist and Best Video at this year's NZ Music Awards. But, while Harding almost never discusses Williams publicly (a notable exception is when she told Jesse Mulligan on RNZ, “He’s the only one really… that I’ve got time for”), Williams talks freely about how their break-up inspired the writing of Make Way For Love, both as material and motivation. “I was nervous, but it allowed me to communicate things that I couldn’t do any other way. His profile there has never been higher, due in part to a recent acting cameo alongside Bradley Cooper and Lady Gaga in Cooper's directorial debut movie, A Star Is Born. Son of visual artist Jenny Rendall and librarian & musician David Williams, he grew up singing in the Christchurch cathedral choir, before his punk rock dad turned him onto country music in his teens. Melbourne based, kiwi musician, Marlon Williams. But it worked. They held a fundraising gig to send him off with a bit extra in his pocket. And now you’ve got to try and make a pretty good record too. A Māori and Pacifica youth community choir bring their goosebump inducing harmonies to a new version of Marlon Williams' 'Make Way For Love'. He's a vampire, baby, and he's coming for you. But that's a mindset thing. A Māori and Pacifica youth community choir bring their goosebump inducing harmonies to a new version of Marlon Williams' 'Make Way For Love'. In media profiles here and overseas, much is made of the elegant swoop of Williams' voice: choir-trained and country-addled, unusually wide range/pure tone, perfect enunciation, the second coming of Roy Orbison, and all that jazz.

He wanted to record it together, in the same room, but her touring schedule didn’t allow it, so she recorded in Cardiff a couple of months after he recorded in California. "That's really gratifying, for sure. Marlon Williams with members of Te Pou Tiriao - Zion Tauamiti on the left. Both me and my whole team weren't super streamlined the whole time. Which is terrible. So we cannot know, from these songs alone, what happened between these two people. As a child, Williams fell in love with harmony by singing along to the car stereo with his mother on long-distance drives. No-one’s holding a gun to my head.”, MARLON WILLIAMS AT TONY’S (PHOTO: JOEL THOMAS), Marlon Williams was born in a bathtub on Cashel Street, Christchurch on New Year’s Eve 1990. In the end, he just realised this thing that seemed so personal, a lot of people go through that. He describes the process of writing and recording the album as a therapy and an exorcism and, ultimately a confrontation not with Harding, but with himself. "They treated me like one of the crew and when it came time to pool some money for petrol to get home and I reached for my wallet, Zion turned to me and told me in no uncertain terms to stay out of it; I was manuhiri and that was that. It really needs to be on for me to be able to do it. Despite his earnestness, Williams has a sense of humour, and a sense of self. ‘I miss you’. ", Marlon Williams announces nationwide Tūrangawaewae tour, The young blood: The five Kiwi musicians keeping music month alive, Aldous Harding, holding true to what she believes in, Marlon Williams on losing love and control, Kiwi Marlon Williams to star with Lady Gaga, Bradley Cooper, Trans-Tasman bubble: Woman sets the record straight amid controversy over New Zealanders entering Melbourne, Man who killed daughter in 'meth rage' found naked with pitchfork, whistle, Grand Designs NZ: Covid-19 nightmare as overseas owners find money can't buy everything, 'Savage' Tova O'Brien interview of Jami-Lee Ross gains international audience, Election 2020: Why Kelvin Davis will probably be the next deputy prime minister, Rape conviction quashed after old text messages create doubt, ‘I escaped a modern sex cult after spending eight years as their slave’ - harrowing story the subject of new US documentary, Thirteen people identifed as possible Covid-19 contacts in New Plymouth, Man jailed after $380,000-a-year cannabis operation busted, A look back at the most explosive political interviews on New Zealand television. He said he’d compared notes and shared lyrics with Lorde while they were both writing albums dealing with related subjects.

Marlon Williams is a soulful crooner, an alt-country pin-up, an alchemist who turned heartbreak into a Silver Scroll. Your ears register that his voice is glorious, the high notes giving Antony and The Johnsons a run for their money. Slight to the point of skinny, typically blushing as he hunches over his microphone, and never sure of what to do with his arms unless they're cradling a guitar, Marlon Williams has a voice that's always a surprise when it arrives. "That's very strange to me, but then, so much of what I'm doing right now is weird, really. “I’ve got a better sense of my own sexuality,” he said when asked what he’s learnt from the experience. "I was kind of rebelling against him, and you can end up in some really weird places - like being a 14-year-old who loves his opera. If you can help, donate to The Spinoff Members. That’s a completely nonsensical thing to say, but [the album] is a total exploitation of power – social power and sexual power. "But I look at Hank Williams, dead at 29, and his songs were a whirlwind of angst and emotion, so I don't think age is that big a factor if you have imagination and allow the power of allegory to come out in strange ways.
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After giving up opera and studying Maori history for two years, he told his parents he was dropping out of university. And whatever really happened, whoever was really at fault, whoever was really hurt the most, Make Way For Love says, ‘I was wrong, but you were wrong too’. “I was just not in the mood,” he said. There was a zero-sum, right way to do it. ", The first to catch his ear featured Dylan's 1966 European tour, but more for the backing group that went on to become The Band. If you That name is now being recognised far and wide. I want to be top dog sometimes and sometimes there’s that part of me that wants to hurt other people with whatever power I have. "So when the idea of doing a unique performance was brought to me by Amazon, I got straight on the blower to my pal Zion Tauamiti. By 17, he had founded The Unfaithful Ways in his hometown of Lyttelton. Marlon Williams: I am indeed friends with quite a few Canadian artists — Tami and I did an album together a few years back, and I’m friendly with the Weather Station and others. "I like that song a lot, too," says Williams, who's in Christchurch for a few days before heading back overseas. “Sometimes it feels like how alcoholics talk about AA all the time; there’s always this element of fanaticism going on. That’s the beauty of it – that it goes from one person’s heart to someone else’s heart and it’s like it never travelled, it just was born in both hearts.”. The arms-length separation is gone now, and in it's place is a collection of music pulled directly from his own, painful experiences. Sex is about power,” Oscar Wilde apparently said, a cliché that has found renewed relevance in the wake of the #metoo movement, and finds relevance in Make Way For Love. When Harding left the room, I talked to Williams about music, touring, and the fact that we're distantly related by marriage. Next thing you know, the Lyttelton singer is hiding in the front garden and pouncing on passing strangers, some mad blasts of rockabilly slide guitar punctuating each attack.

After sitting down to plan their first album, they got as far as writing one line, "the ghosts of country music," when the second big quake struck. "I'm more of a passive drifter really, I follow what I feel I'm doing well at and I'd discovered the thrill of being in a tight band that could go up and down the country playing shows. The title track to the album Marlon released in February this year has been re-recorded with the Te Pou Tiriao singers, a community choir founded by Canterbury youth worker Zion Tauamiti. A combination of country croon and vibrato swoon, it is the product of the cathedral, the marae, and the bar. "I knew Zion was running a Māori and Pacifica youth community choir in East Christchurch, an area absolutely put through the wringer and hung out to dry in post earthquake Canterbury. I hate that bullshit about, like, ‘How could he have written those songs, you’re too young to have lived through that.’ Fucking Hank Williams was dead by the time he was 30, so it’s bullshit that it has to be forged through life lessons. "Whether it's that sort of physical appreciation or someone telling me they have an incredibly deep emotional connection with my songs … all that stuff just goes into my 'don't think too much about that' basket. No syllable is a struggle, no note is out of reach. I’m just a little bit allergic to that… I don’t feel inauthentic or I don’t feel authentic. The road tunnel from Christchurch became so scary Lyttelton was isolated from everywhere, leaving the tiny community with little choice but to pull together to party heroically. The Spinoff is a New Zealand online magazine covering politics, pop culture and social issues. I want to be top dog sometimes and sometimes there’s that part of me that wants to hurt other people with whatever power I have. He actually puts me in mind of another young man with a guitar and a country and western background and, while Marlon may not shake his hips like Elvis, he has the same way of sucking people in, and that's a rare phenomenon.". I hate that bullshit about, like, ‘How could he have written those songs, you’re too young to have lived through that.’ Fucking Hank Williams was dead by the time he was 30, so it’s bullshit that it has to be forged through life lessons. You'll then be asked to choose a password so you The Unfaithful Ways had also recorded an album, only for the master tape to end up trapped inside their red-zoned studio after the first Christchurch earthquake. "Yeah! Williams recruited a familiar cast of musicians for his long-awaited debut, including Davidson and long-time producer Ben Edwards. It's a weird psychological battle to keep him at bay, and to try and be productive," he says. ​He's a soulful crooner, an alt-country pin-up, an alchemist who turned heartbreak into a Silver Scroll.
Whatever stories this record is telling, we can be sure that there are many more to be told, and that all of them have different sides and competing interpretations.

But a casual, boyish beauty seals the deal. But it was easy to speculate that the “perfect man” Harding really wanted back again in ‘Blend’ and the wounded babe she scolds in ‘Horizon’ (“I’m showing that person two things; their life, and their life with me. I just keep myself busy, chasing projects I'm inspired by, with no real idea of where I might end up.". It’s a mournful album about desire (‘Come to Me’); miscommunication (‘What’s Chasing You’); lust (‘Beautiful Dress’); possessiveness (‘Party Boy’); longing and jealousy (‘Can I Call You?’); melancholy (‘Love is a Terrible Thing’); bitterness (‘I Know a Jeweller’); vengeance and infidelity (‘I Didn’t Make a Plan’); resignation (‘The Fire of Love’); bargaining and acceptance (‘Nobody Gets What They Want Anymore’); and, just maybe, hope (‘Make Way for Love’). He’s. 2014 found Williams playing major festivals and making television appearances leading to sold out tours of Australia and New Zealand before heading into the studio to record his debut solo album. In the same way God is.”, is a classic break-up album, like Bob Dylan’s, (also about a relationship with another musician). And what if the subject is not only an artist too, but has made work about the same thing and chosen not to talk about it explicitly? Photo / Nick Reed. “In typical Christchurch circles, that’s how you approach someone.” But, unlike some of his friends, he loved the school, with its rules and its traditions.
"It is interesting, you're still trying to get to a certain place with your audience but without phrasing and beauty of tone, but whether it's a new form of employment or another creative adventure? Williams will undertake a 12-show tour of New Zealand this summer. Growing up, his dad was a punk singer. Williams also won Album of the Year, Best Solo Artist and Best Video at this year's NZ Music Awards. But, while Harding almost never discusses Williams publicly (a notable exception is when she told Jesse Mulligan on RNZ, “He’s the only one really… that I’ve got time for”), Williams talks freely about how their break-up inspired the writing of Make Way For Love, both as material and motivation. “I was nervous, but it allowed me to communicate things that I couldn’t do any other way. His profile there has never been higher, due in part to a recent acting cameo alongside Bradley Cooper and Lady Gaga in Cooper's directorial debut movie, A Star Is Born. Son of visual artist Jenny Rendall and librarian & musician David Williams, he grew up singing in the Christchurch cathedral choir, before his punk rock dad turned him onto country music in his teens. Melbourne based, kiwi musician, Marlon Williams. But it worked. They held a fundraising gig to send him off with a bit extra in his pocket. And now you’ve got to try and make a pretty good record too. A Māori and Pacifica youth community choir bring their goosebump inducing harmonies to a new version of Marlon Williams' 'Make Way For Love'. He's a vampire, baby, and he's coming for you. But that's a mindset thing. A Māori and Pacifica youth community choir bring their goosebump inducing harmonies to a new version of Marlon Williams' 'Make Way For Love'. In media profiles here and overseas, much is made of the elegant swoop of Williams' voice: choir-trained and country-addled, unusually wide range/pure tone, perfect enunciation, the second coming of Roy Orbison, and all that jazz.

He wanted to record it together, in the same room, but her touring schedule didn’t allow it, so she recorded in Cardiff a couple of months after he recorded in California. "That's really gratifying, for sure. Marlon Williams with members of Te Pou Tiriao - Zion Tauamiti on the left. Both me and my whole team weren't super streamlined the whole time. Which is terrible. So we cannot know, from these songs alone, what happened between these two people. As a child, Williams fell in love with harmony by singing along to the car stereo with his mother on long-distance drives. No-one’s holding a gun to my head.”, MARLON WILLIAMS AT TONY’S (PHOTO: JOEL THOMAS), Marlon Williams was born in a bathtub on Cashel Street, Christchurch on New Year’s Eve 1990. In the end, he just realised this thing that seemed so personal, a lot of people go through that. He describes the process of writing and recording the album as a therapy and an exorcism and, ultimately a confrontation not with Harding, but with himself. "They treated me like one of the crew and when it came time to pool some money for petrol to get home and I reached for my wallet, Zion turned to me and told me in no uncertain terms to stay out of it; I was manuhiri and that was that. It really needs to be on for me to be able to do it. Despite his earnestness, Williams has a sense of humour, and a sense of self. ‘I miss you’. ", Marlon Williams announces nationwide Tūrangawaewae tour, The young blood: The five Kiwi musicians keeping music month alive, Aldous Harding, holding true to what she believes in, Marlon Williams on losing love and control, Kiwi Marlon Williams to star with Lady Gaga, Bradley Cooper, Trans-Tasman bubble: Woman sets the record straight amid controversy over New Zealanders entering Melbourne, Man who killed daughter in 'meth rage' found naked with pitchfork, whistle, Grand Designs NZ: Covid-19 nightmare as overseas owners find money can't buy everything, 'Savage' Tova O'Brien interview of Jami-Lee Ross gains international audience, Election 2020: Why Kelvin Davis will probably be the next deputy prime minister, Rape conviction quashed after old text messages create doubt, ‘I escaped a modern sex cult after spending eight years as their slave’ - harrowing story the subject of new US documentary, Thirteen people identifed as possible Covid-19 contacts in New Plymouth, Man jailed after $380,000-a-year cannabis operation busted, A look back at the most explosive political interviews on New Zealand television. He said he’d compared notes and shared lyrics with Lorde while they were both writing albums dealing with related subjects.

Marlon Williams is a soulful crooner, an alt-country pin-up, an alchemist who turned heartbreak into a Silver Scroll. Your ears register that his voice is glorious, the high notes giving Antony and The Johnsons a run for their money. Slight to the point of skinny, typically blushing as he hunches over his microphone, and never sure of what to do with his arms unless they're cradling a guitar, Marlon Williams has a voice that's always a surprise when it arrives. "That's very strange to me, but then, so much of what I'm doing right now is weird, really. “I’ve got a better sense of my own sexuality,” he said when asked what he’s learnt from the experience. "I was kind of rebelling against him, and you can end up in some really weird places - like being a 14-year-old who loves his opera. If you can help, donate to The Spinoff Members. That’s a completely nonsensical thing to say, but [the album] is a total exploitation of power – social power and sexual power. "But I look at Hank Williams, dead at 29, and his songs were a whirlwind of angst and emotion, so I don't think age is that big a factor if you have imagination and allow the power of allegory to come out in strange ways.

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