Present-day Steve wanders through a house that mirrors the collapse and decay of his spirit. Steve’s dad loses his job. I’m Not Here’s big moments aren’t convincing, yet they’re contrived in a manner that reflects how we flatten moments out in our minds so as to bend them to suit particular internal narratives. She is the author of The Movie Mom's Guide to Family Movies and 101 Must-See Movie Moments. If only.
That would be a memory of Steve's son Trevor, who exited his life (tragically, the film hints) decades ago, along with his wife, Karen (Maika Monroe). Steve loses his. Simmons gives the strongest performance by a wide margin, though young Armitage is deeply sympathetic as a boy reluctant to take sides in, or even to acknowledge, his parents' conflict. College-age Steve is first seen on stage, as he and a friend tipsily try to get extra credit with a physics-themed stand-up routine based very loosely on the famous thought experiment known as Schrödinger's Cat. FACEBOOK Sitting in a dark room with a gun pointed at his head and an answering machine with the message “I’m not here,” Steve Harrison (Simmons) weeps to the sound of his dead son’s laughter. Director of photography: Pietro Villani
A robotic message on his answering machine reminds him that due to nonpayment his electricity will be turned off at midnight.
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In Hollywood courtrooms, divorces have been granted on lesser grounds than this.
The boy died, we learn, along with his mother. There is a striking scene in court when the judge takes young Steve into his chambers to ask him to literally weigh the decision about which parent will have custody. Production designer: Lauree Martell CIFF 2020: Black Perspectives Program Highlights Diverse Voices, CIFF 2020: The Roger Ebert Award Returns to Champion New Voices, Immerse Yourself in Martin Scorsese’s World Cinema Project #3. As we move from one setting to another, the director has better luck with her male castmembers than her female ones, and that's not only because the script (co-written by Tony Cummings) is so much more interested in the men's struggles.
It’s no use. Simmons plays Steve, with two other exceptionally gifted actors in the flashbacks.
A robotic message on his answering machine reminds him that due to nonpayment his electricity will be turned off at midnight. Evidently in the midst of drinking himself to death, he's done paying his bills; when he looks in the mirror, he's occasionally haunted by the memory of his virile younger self (Sebastian Stan) being cooed over by a loving Karen.
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