On November 26, 2008, 10 young men in an inflatable dinghy came ashore in Mumbai, India, and slipped into the city undetected. India, however, refrained from amassing troops at the Pakistan border as it had following the December 13, 2001, attack on India’s parliament, which had also been carried out by Pakistan-based militants. The terrorist attacks in Mumbai exposed loopholes in the security system that India had in place to deal with this “new brand” of terrorism—urban warfare characterized by symbolic attacks, multiple targets, and high casualties.
Targets of the November 2008 terrorist attack in Mumbai, India. India made a plea to the UN Security Council for sanctions against Jamaat-ud-Dawa, contending that the group was a front organization for Lashkar-e-Taiba, which had been banned by Pakistan in 2002.
It’s just uneasy viewing in many ways: rotely mechanical in its conversion of suffering into set pieces, morally questionable as it inserts authentic, blood-spattered cameraphone footage into fictional activity. Hotel Mumbai’s filmmakers did an ambitious amount of research on the real attacks before filming.
He further revealed that the team of terrorists had spent time at the headquarters of a second and related organization, Jamaat-ud-Dawa, in the city of Muridke before traveling from Punjab to the port city of Karachi and setting out for Mumbai by sea. Please select which sections you would like to print: Corrections? In all, at least 174 people, including 20 security force personnel and 26 foreign nationals, were killed. India’s interior minister, Shivraj Patil, who was widely criticized in the aftermath of the attacks, tendered his resignation on November 30, 2008, declaring that he took “moral responsibility” for the assault. Acceding to India’s request, the Security Council imposed sanctions on Jamaat-ud-Dawa on December 11, 2008, and formally declared the group a terrorist organization. During his 2011 trial, however, Headley gave detailed testimony about the involvement of both Lashkar-e-Taiba and the Pakistani intelligence agency in the Mumbai attacks. Throughout the film, he remains remarkably calm during the crisis and does his best to keep his guests and staff safe.
Kasab—who was charged with various crimes, including murder and waging war—later retracted his confession. The character is actually an amalgam of two real people: a waiter in one of the Taj’s restaurants and an unarmed security guard who was able to help lead a pair of police officers to the hotel’s CCTV room in order to track the location of the four terrorists. Maras and co-writer John Collee spy something positive in the enforced bonding of these disparate types, but the bodycount flattens the homilies. o grapple most directly with this brutalising century, what the movies have generated so far is the based-on-true-atrocities cycle initiated by Paul Greengrass’s. “Everyone would have known who we were talking about.”.
On December 17, 2008, the Indian parliament consented to the creation of the National Investigation Agency, a federal counterterrorism group whose functions would be similar to many of those of the U.S. Federal Bureau of Investigation. Updates?
Concorde flights between England and the United States took a full day. This depiction of events is pretty close to the reality of the situation during the chaotic days of Nov. 26 to 29, 2008. Armed with assault rifles, grenades and improvised explosive devices, they quickly fanned out across the city. • Hotel Mumbai opens in the UK on 27 September.
For Maras, the choice to fictionalize these characters seemed more respectful to the privacy of those who survived the attacks, as well as the memory of those who didn’t.
For an hour, Maras maintains a basic hide-and-seek tension, as his players sporadically break cover to bundle themselves into pantries and linen closets, and he makes attempts to humanise the killers. The November attacks prompted the Indian government to introduce important new institutions as well as legal mechanisms to fight terrorism. “I simply couldn’t believe that you would have not one or two, but the entire staff of the Taj Hotel spontaneously, pretty much en masse, remain to protect their guests,” says Maras. In its unflinching, often virtuosic carnage, the cycle may be as close as the commercial cinema has been allowed to get to the new extreme cinema that was so in vogue across Europe as the planes struck the World Trade Center.
It wasn’t until the morning of Nov. 29 that counterterrorism operatives finally cleared the building and the siege of the Taj Hotel officially ended. Amid speculation regarding the identity of the terrorists, an unknown group calling itself Mujahideen Hyderabad Deccan claimed responsibility for the attacks in an e-mail; however, the e-mail was later traced to a computer in Pakistan, and it became obvious that no such group existed.
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