[16] Dixon wrote several songs, but label co-owner Leonard Chess failed to show any interest at first. One of his greatest legacies, the absurdly titled "(I'm Your) Hoochie Coochie Man," was written by Willie Dixon as a comic audience pleaser during the early 1950s and is considered an early example of the Chicago blues—the new, amplified, rockin' form of blues still popular around the world. [75] Waters, not to be outdone, responded two months later with an answer song to "I'm a Man", titled "Mannish Boy". Where we were, in the Delta, they couldn't do no nothin'. Well, you know I'm the hoochie coochie man Muddy Waters on Rolling Stone's Top 100 Greatest ArtistsRead a tribute by Billy Gibbons, accompanied by a great portrait.

[45][i] A Grammy Hall of Fame Award followed in 1998, which "honor[s] recordings of lasting qualitative or historical significance". [84] In 2004, the National Recording Preservation Board, advisors to the US Library of Congress, selected it for preservation in the National Recording Registry and noted the contributions of the band members. [61] Music historian Ted Gioia points to the underlying theme of sexuality and virility as sociologically significant. [32] In 1955, songwriters Jerry Leiber and Mike Stoller used the riff for "Riot in Cell Block Number 9"[32] (later reworked by the Beach Boys as "Student Demonstration Time") and "Framed" for the R&B group the Robins. Muddy Waters (guitar and vocals); Little Walter (harmonica); Otis Spann (piano); Jimmy Rogers (guitar); Willie Dixon (bass); Fred Below (drums). [45] The accompanying riff, which Dixon described as a five-note figure,[28] is similar to that of "Mad Love". [66] [39][21] The different textures provides the tune with a strong contrast,[34] which helps underscore the lyrics. )[3][34] Pianist Otis Spann, who joined in 1953, and Dixon, in his debut on double bass for Waters' recording session, round out the group. Everybody knows I'm him 2: 1952–1958; and The Definitive Collection. A gypsy woman told my mother before I was born But you know I'm him, everybody knows I'm him A black cat's bone? [35] Although there are some moments in the alternate take when a player's timing rushes or drags perceptibly, because the band is so tight, the difference with the master is only six seconds (for a nearly three-minute song). Khi bật tính năng Autoplay, Bài hát được đề xuất sẽ tự động phát tiếp.

Muddy and the Rolling Stones, "Hoochie Coochie Man"This is 1981, people. After the song's initial success in 1954, Waters recorded several live and new studio versions. [65] Numerous later Waters' official compilations contain it, such as Sail On; McKinley Morganfield a.k.a.

[11] Similar lyrics appeared in "Hoodoo Hoodoo", a 1946 recording by John Lee "Sonny Boy" Williamson: "Well now I'm goin' down to Louisiana, and buy me another mojo hand". [34], For the second eight-bars of the progression, the song follows the standard I–IV–V7 structure, which maintains its connection to traditional blues. One of his greatest legacies, the absurdly titled "(I'm Your) Hoochie Coochie Man," was written by Willie Dixon as a comic audience pleaser during the early 1950s and is considered an early example of the Chicago blues—the new, amplified, rockin' form of blues still popular around the world. [32], As numerous artists recorded it in a variety of styles, "Hoochie Coochie Man" became a blues standard. [21] Considered the classic Chicago blues band,[32] music critic Bill Janovitz described Waters' group as "a who's who of bluesmen".

[75] He reworked it as a four-note figure, which is repeated for the entire song without a progression to other chords. [17] Finally, in 1953, Chess used two of Dixon's songs: "Too Late", recorded by Little Walter,[18] and "Third Degree", recorded by Eddie Boyd. [41] It is notated in 128 time and contains three sixteen-bar sections.

The stop-time riff was "soon absorbed into the lingua franca of blues, R&B, jazz, and rock and roll", according to musicologist Robert Palmer, and is used in several popular songs. [21] Waters explored similar themes in earlier songs, but his approach was more subtle.

[74] All of these songs follow a similar lyrical theme and "helped shape Muddy Waters' image as the testosterone king of the blues", according to Gioia. 2: 1952-1958), Music From The Motion Picture Cadillac Records. Because the blues, you know, has always been a women's market".

[39] For the second eight bars, the song reverts to the last eight of the twelve-bar progression, which functions as a refrain or hook. But the song is also rich in cultural references dragged straight out of the Deep South, where Muddy, Dixon, and the blues were originally born. "Hoochie Coochie Man" (originally titled "I'm Your Hoochie Cooche Man") is a blues standard written by Willie Dixon and first recorded by Muddy Waters in 1954. Giấy phép MXH số 499/GP-BTTTT do Bộ Thông Tin và Truyền thông cấp ngày 28/09/2015. [46] In particular, Little Walters' overdriven saxophone-like harmonica[47] playing weaves in and out of the vocal lines, which heightens the drama.[48].

sfn error: no target: CITEREFPalmer1981 (, sfn error: no target: CITEREFCampbell2007 (, sfn error: no target: CITEREFDixonSnowden (, Live at the Checkerboard Lounge, Chicago 1981, "I m Your Hoochie Cooche Man (Legal Title) – BMI Work #668840", "Muddy Waters: (I'm Your) Hoochie Coochie Man – Song Review", "Muddy Waters: Hoochie Coochie Man – Appears On", "Muddy Waters: Mannish Boy – Song Review", "1984 Hall of Fame Inductees: I'm Your Hoochie Coochie Man — Muddy Waters (Chess, 1954)", "Grammy Hall of Fame Awards – Past Recipients", "Complete National Recording Registry Listing", Rollin' Stone: The Golden Anniversary Collection, https://en.wikipedia.org/w/index.php?title=Hoochie_Coochie_Man&oldid=979376927, United States National Recording Registry recordings, Short description is different from Wikidata, Pages using infobox song with unknown parameters, Creative Commons Attribution-ShareAlike License, This page was last edited on 20 September 2020, at 11:31. Giấy Chứng nhận Đăng ký Kinh doanh số 0305535715 do Sở kế hoạch và Đầu tư thành phố Hồ Chí Minh cấp ngày 01/03/2008. Backstage in JapanHe's balding on top a little, but he looks pretty good otherwise. [36][g], "Hoochie Coochie Man" follows a sixteen-bar blues progression, which is an expansion of the well-known twelve-bar blues pattern. Then the world will know I'm that hoochie coochie man The Chess 50th Anniversary Collection: Muddy Waters, His Best, 1947–1955This smaller collection contains 20 of his earlier, groundbreaking Chicago recordings on Chess Recrods.

Everybody knows I'm him, xem thêm The original appears on the 1958 The Best of Muddy Waters album and many compilations. [64], In early 1954, Chess Records issued "I'm Your Hoochie Cooche Man" backed with "She's So Pretty" on both the standard ten-inch 78 rpm and the newer seven-inch 45 rpm record single formats. Don Wilmeth identifies it as "a precursor of the striptease ... from the belly dance but punctuated with bumps and grinds and a combination of exposure, erotic movements, and teasing. The song makes reference to hoodoo folk magic elements and makes novel use of a stop-time musical arrangement. Let’s Take A Walk (Raphael Saadiq) 7. [21] He attributed it to the band[32] and using such a phrase for eight bars was a new approach. [56] Dixon felt that the lyrics expressed part of the audience's unfulfilled desire to brag,[31] while Waters later admitted that they were supposed to have a comic effect. American composer Elmer Bernstein quoted the figure in another film, The Man with the Golden Arm,[32] which received a nomination for an Academy Award for Best Original Score in 1955. [19] "Third Degree" became Dixon's first composition to enter the record charts. "Hoochie Coochie Man" is characterized as a "self-mythologizing testament" by Janovitz.

[57] The stringing together of sevens is another good omen and is analogous to the seventh son of a seventh son of folklore. King, Buddy Guy, John P. Hammond, the Allman Brothers Band, and Eric Clapton. According to Waters, Dixon followed him into the restroom to pitch him the song. [68] He revisited the song with original guitarist Jimmy Rogers in 1977. Standard Edition: 1.

I got the John the Conqueroo, I'm gonna mess with you [12][45] Janovitz describes the song as "a vital piece of Chicago-style electric blues that links the Delta to rock & roll".

[72] Waters soon followed up with several variations on the sixteen-bar stop-time arrangement written by Dixon. Ted Gioia, Delta Blues: The Life and Times of the Mississippi Masters Who Revolutionized American Music (2009)An accessible and thorough history of the original blues masters, including Muddy Waters, who came out of the Mississippi Delta to change the entire world of music. And then the world wanna know, what this all about[52], As a boy in the South, Dixon recalled gypsies in covered wagons plying their trade from town to town. The song makes reference to hoodoo folk magic elements and makes novel use of a stop-time musical arrangement.

By entering your email address you agree to receive emails from Shmoop and verify that you are over the age of 13. But you know I'm him, everybody knows I'm him Bài hát i'm your hoochie coochie man do ca sĩ Jeffrey Wright thuộc thể loại Au My Khac. [56] The number seven is prominent: on the seventh hour, on the seventh day, etc. I [sic][h] got a boy child's comin', gonna be a son of a gun [5], The term "hoochie coochie", with variations in the spelling, is used in different contexts.

Their magical powers assure that the gypsy's prophecy will be borne out: women and the rest of world will take notice.

I'm gonna make you girls lead me by my hand [17] At the time, Waters was performing at the Club Zanzibar in Chicago.

[e] "Hoochie coochie" is also used to refer to a sexually attractive person or a practitioner of hoodoo. Numerous musicians have recorded "Hoochie Coochie Man" in a variety of styles, making it one of the most interpreted Waters and Dixon songs. [4] The verses in the song's three sixteen-bar sections proceed chronologically. The Blues Foundation and the Grammy Hall of Fame recognize the song for its influence in popular music and the US Library of Congress' National Recording Registry selected it for preservation in 2004. For the best experience on our site, be sure to turn on Javascript in your browser. I’m A Man (Jeffrey Wright) 2. [5] It remained on the charts for 13 weeks, making it Waters' longest charting record up to that time (two more Waters-Dixon songs, "Just Make Love to Me (I Just Want to Make Love to You") and "Close to You", both later also lasted 13 weeks). These include Live in 1958 (recorded in England in 1958 with Spann and Chris Barber's trad jazz band, released in 1993 and re-released as Collaboration in 1995); Authorized Bootleg: Live at the Fillmore Auditorium – San Francisco Nov 04–06 1966 (released 2009); The Lost Tapes (recorded 1971, released 1999); Muddy "Mississippi" Waters – Live (recorded 1977, released 1979); and Live at the Checkerboard Lounge, Chicago 1981 with members of the Rolling Stones (released 2012). [75] Music critic and writer Cub Koda calls it "the most recognizable blues lick in the world". [74], Bo Diddley modified the song's signature riff for his March 1955 song "I'm a Man". [73][33] These include "I Just Want to Make Love to You", "I'm Ready", and "I'm a Natural Born Lover". [33] Rock musicians are among the many who have interpreted it. It became one of Waters' most popular and identifiable songs and helped secure Dixon's role as Chess Records' chief songwriter. Muddy in FranceWith friend Scott Cameron—ah, the 1970s. Although the initial Chess single lists the songwriter as "M. Waters", reissues credit Willie Dixon. You were born for good luck that you'll see

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cadillac records i'm your hoochie coochie man

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Chronicles the rise of Chess Records and its recording artists.

Dixon remarked, "we felt like this was a great achievement for one of these blues phrases to be used in a movie". I got seven hundred dollars, don't you mess with me 6 O’Clock Blues (Solange) 8.

[16] Dixon wrote several songs, but label co-owner Leonard Chess failed to show any interest at first. One of his greatest legacies, the absurdly titled "(I'm Your) Hoochie Coochie Man," was written by Willie Dixon as a comic audience pleaser during the early 1950s and is considered an early example of the Chicago blues—the new, amplified, rockin' form of blues still popular around the world. [75] Waters, not to be outdone, responded two months later with an answer song to "I'm a Man", titled "Mannish Boy". Where we were, in the Delta, they couldn't do no nothin'. Well, you know I'm the hoochie coochie man Muddy Waters on Rolling Stone's Top 100 Greatest ArtistsRead a tribute by Billy Gibbons, accompanied by a great portrait.

[45][i] A Grammy Hall of Fame Award followed in 1998, which "honor[s] recordings of lasting qualitative or historical significance". [84] In 2004, the National Recording Preservation Board, advisors to the US Library of Congress, selected it for preservation in the National Recording Registry and noted the contributions of the band members. [61] Music historian Ted Gioia points to the underlying theme of sexuality and virility as sociologically significant. [32] In 1955, songwriters Jerry Leiber and Mike Stoller used the riff for "Riot in Cell Block Number 9"[32] (later reworked by the Beach Boys as "Student Demonstration Time") and "Framed" for the R&B group the Robins. Muddy Waters (guitar and vocals); Little Walter (harmonica); Otis Spann (piano); Jimmy Rogers (guitar); Willie Dixon (bass); Fred Below (drums). [45] The accompanying riff, which Dixon described as a five-note figure,[28] is similar to that of "Mad Love". [66] [39][21] The different textures provides the tune with a strong contrast,[34] which helps underscore the lyrics. )[3][34] Pianist Otis Spann, who joined in 1953, and Dixon, in his debut on double bass for Waters' recording session, round out the group. Everybody knows I'm him 2: 1952–1958; and The Definitive Collection. A gypsy woman told my mother before I was born But you know I'm him, everybody knows I'm him A black cat's bone? [35] Although there are some moments in the alternate take when a player's timing rushes or drags perceptibly, because the band is so tight, the difference with the master is only six seconds (for a nearly three-minute song). Khi bật tính năng Autoplay, Bài hát được đề xuất sẽ tự động phát tiếp.

Muddy and the Rolling Stones, "Hoochie Coochie Man"This is 1981, people. After the song's initial success in 1954, Waters recorded several live and new studio versions. [65] Numerous later Waters' official compilations contain it, such as Sail On; McKinley Morganfield a.k.a.

[11] Similar lyrics appeared in "Hoodoo Hoodoo", a 1946 recording by John Lee "Sonny Boy" Williamson: "Well now I'm goin' down to Louisiana, and buy me another mojo hand". [34], For the second eight-bars of the progression, the song follows the standard I–IV–V7 structure, which maintains its connection to traditional blues. One of his greatest legacies, the absurdly titled "(I'm Your) Hoochie Coochie Man," was written by Willie Dixon as a comic audience pleaser during the early 1950s and is considered an early example of the Chicago blues—the new, amplified, rockin' form of blues still popular around the world. [32], As numerous artists recorded it in a variety of styles, "Hoochie Coochie Man" became a blues standard. [21] Considered the classic Chicago blues band,[32] music critic Bill Janovitz described Waters' group as "a who's who of bluesmen".

[75] He reworked it as a four-note figure, which is repeated for the entire song without a progression to other chords. [17] Finally, in 1953, Chess used two of Dixon's songs: "Too Late", recorded by Little Walter,[18] and "Third Degree", recorded by Eddie Boyd. [41] It is notated in 128 time and contains three sixteen-bar sections.

The stop-time riff was "soon absorbed into the lingua franca of blues, R&B, jazz, and rock and roll", according to musicologist Robert Palmer, and is used in several popular songs. [21] Waters explored similar themes in earlier songs, but his approach was more subtle.

[74] All of these songs follow a similar lyrical theme and "helped shape Muddy Waters' image as the testosterone king of the blues", according to Gioia. 2: 1952-1958), Music From The Motion Picture Cadillac Records. Because the blues, you know, has always been a women's market".

[39] For the second eight bars, the song reverts to the last eight of the twelve-bar progression, which functions as a refrain or hook. But the song is also rich in cultural references dragged straight out of the Deep South, where Muddy, Dixon, and the blues were originally born. "Hoochie Coochie Man" (originally titled "I'm Your Hoochie Cooche Man") is a blues standard written by Willie Dixon and first recorded by Muddy Waters in 1954. Giấy phép MXH số 499/GP-BTTTT do Bộ Thông Tin và Truyền thông cấp ngày 28/09/2015. [46] In particular, Little Walters' overdriven saxophone-like harmonica[47] playing weaves in and out of the vocal lines, which heightens the drama.[48].

sfn error: no target: CITEREFPalmer1981 (, sfn error: no target: CITEREFCampbell2007 (, sfn error: no target: CITEREFDixonSnowden (, Live at the Checkerboard Lounge, Chicago 1981, "I m Your Hoochie Cooche Man (Legal Title) – BMI Work #668840", "Muddy Waters: (I'm Your) Hoochie Coochie Man – Song Review", "Muddy Waters: Hoochie Coochie Man – Appears On", "Muddy Waters: Mannish Boy – Song Review", "1984 Hall of Fame Inductees: I'm Your Hoochie Coochie Man — Muddy Waters (Chess, 1954)", "Grammy Hall of Fame Awards – Past Recipients", "Complete National Recording Registry Listing", Rollin' Stone: The Golden Anniversary Collection, https://en.wikipedia.org/w/index.php?title=Hoochie_Coochie_Man&oldid=979376927, United States National Recording Registry recordings, Short description is different from Wikidata, Pages using infobox song with unknown parameters, Creative Commons Attribution-ShareAlike License, This page was last edited on 20 September 2020, at 11:31. Giấy Chứng nhận Đăng ký Kinh doanh số 0305535715 do Sở kế hoạch và Đầu tư thành phố Hồ Chí Minh cấp ngày 01/03/2008. Backstage in JapanHe's balding on top a little, but he looks pretty good otherwise. [36][g], "Hoochie Coochie Man" follows a sixteen-bar blues progression, which is an expansion of the well-known twelve-bar blues pattern. Then the world will know I'm that hoochie coochie man The Chess 50th Anniversary Collection: Muddy Waters, His Best, 1947–1955This smaller collection contains 20 of his earlier, groundbreaking Chicago recordings on Chess Recrods.

Everybody knows I'm him, xem thêm The original appears on the 1958 The Best of Muddy Waters album and many compilations. [64], In early 1954, Chess Records issued "I'm Your Hoochie Cooche Man" backed with "She's So Pretty" on both the standard ten-inch 78 rpm and the newer seven-inch 45 rpm record single formats. Don Wilmeth identifies it as "a precursor of the striptease ... from the belly dance but punctuated with bumps and grinds and a combination of exposure, erotic movements, and teasing. The song makes reference to hoodoo folk magic elements and makes novel use of a stop-time musical arrangement. Let’s Take A Walk (Raphael Saadiq) 7. [21] He attributed it to the band[32] and using such a phrase for eight bars was a new approach. [56] Dixon felt that the lyrics expressed part of the audience's unfulfilled desire to brag,[31] while Waters later admitted that they were supposed to have a comic effect. American composer Elmer Bernstein quoted the figure in another film, The Man with the Golden Arm,[32] which received a nomination for an Academy Award for Best Original Score in 1955. [19] "Third Degree" became Dixon's first composition to enter the record charts. "Hoochie Coochie Man" is characterized as a "self-mythologizing testament" by Janovitz.

[57] The stringing together of sevens is another good omen and is analogous to the seventh son of a seventh son of folklore. King, Buddy Guy, John P. Hammond, the Allman Brothers Band, and Eric Clapton. According to Waters, Dixon followed him into the restroom to pitch him the song. [68] He revisited the song with original guitarist Jimmy Rogers in 1977. Standard Edition: 1.

I got the John the Conqueroo, I'm gonna mess with you [12][45] Janovitz describes the song as "a vital piece of Chicago-style electric blues that links the Delta to rock & roll".

[72] Waters soon followed up with several variations on the sixteen-bar stop-time arrangement written by Dixon. Ted Gioia, Delta Blues: The Life and Times of the Mississippi Masters Who Revolutionized American Music (2009)An accessible and thorough history of the original blues masters, including Muddy Waters, who came out of the Mississippi Delta to change the entire world of music. And then the world wanna know, what this all about[52], As a boy in the South, Dixon recalled gypsies in covered wagons plying their trade from town to town. The song makes reference to hoodoo folk magic elements and makes novel use of a stop-time musical arrangement.

By entering your email address you agree to receive emails from Shmoop and verify that you are over the age of 13. But you know I'm him, everybody knows I'm him Bài hát i'm your hoochie coochie man do ca sĩ Jeffrey Wright thuộc thể loại Au My Khac. [56] The number seven is prominent: on the seventh hour, on the seventh day, etc. I [sic][h] got a boy child's comin', gonna be a son of a gun [5], The term "hoochie coochie", with variations in the spelling, is used in different contexts.

Their magical powers assure that the gypsy's prophecy will be borne out: women and the rest of world will take notice.

I'm gonna make you girls lead me by my hand [17] At the time, Waters was performing at the Club Zanzibar in Chicago.

[e] "Hoochie coochie" is also used to refer to a sexually attractive person or a practitioner of hoodoo. Numerous musicians have recorded "Hoochie Coochie Man" in a variety of styles, making it one of the most interpreted Waters and Dixon songs. [4] The verses in the song's three sixteen-bar sections proceed chronologically. The Blues Foundation and the Grammy Hall of Fame recognize the song for its influence in popular music and the US Library of Congress' National Recording Registry selected it for preservation in 2004. For the best experience on our site, be sure to turn on Javascript in your browser. I’m A Man (Jeffrey Wright) 2. [5] It remained on the charts for 13 weeks, making it Waters' longest charting record up to that time (two more Waters-Dixon songs, "Just Make Love to Me (I Just Want to Make Love to You") and "Close to You", both later also lasted 13 weeks). These include Live in 1958 (recorded in England in 1958 with Spann and Chris Barber's trad jazz band, released in 1993 and re-released as Collaboration in 1995); Authorized Bootleg: Live at the Fillmore Auditorium – San Francisco Nov 04–06 1966 (released 2009); The Lost Tapes (recorded 1971, released 1999); Muddy "Mississippi" Waters – Live (recorded 1977, released 1979); and Live at the Checkerboard Lounge, Chicago 1981 with members of the Rolling Stones (released 2012). [75] Music critic and writer Cub Koda calls it "the most recognizable blues lick in the world". [74], Bo Diddley modified the song's signature riff for his March 1955 song "I'm a Man". [73][33] These include "I Just Want to Make Love to You", "I'm Ready", and "I'm a Natural Born Lover". [33] Rock musicians are among the many who have interpreted it. It became one of Waters' most popular and identifiable songs and helped secure Dixon's role as Chess Records' chief songwriter. Muddy in FranceWith friend Scott Cameron—ah, the 1970s. Although the initial Chess single lists the songwriter as "M. Waters", reissues credit Willie Dixon. You were born for good luck that you'll see

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