In the 1950s, soul music by Sam Cooke, Ray Charles and James Brown used gospel and blues music elements. Since the 1980s there has been a resurgence of interest in the blues among a certain part of the African-American population, particularly around Jackson, Mississippi and other deep South regions. During the 1980s blues also continued in both traditional and new forms. [33] This music is poorly documented, partly because of racial discrimination in U.S. society, including academic circles,[34] and partly because of the low rate of literacy among rural African Americans at the time. 「ブルース・ロック」とは、アメリカ南部で生まれた黒人発祥の音楽「 ブルース 」に「 ロック 」のテイストを加えたジャンルを指します。 (Parentheticals in Garofalo.). It was only in the first decades of the 20th century that the most common current structure became standard: the AAB pattern, consisting of a line sung over the four first bars, its repetition over the next four, and then a longer concluding line over the last bars. The origins of the blues are also closely related to the religious music of the Afro-American community, the spirituals. Bluesmen such as Big Bill Broonzy and Willie Dixon started looking for new markets in Europe. The blues form, ubiquitous in jazz, rhythm and blues and rock and roll, is characterized by the call-and-response pattern, the blues scale and specific chord progressions, of which t… And I can't get no hearing from that Memphis girl of mine, Although the blues gained an association with misery and oppression, the lyrics could also be humorous and raunchy:[15], Rebecca, Rebecca, get your big legs off of me, When this riff was played over the bass and the drums, the groove "feel" was created. Boogie-woogie was pioneered by the Chicago-based Jimmy Yancey and the Boogie-Woogie Trio (Albert Ammons, Pete Johnson and Meade Lux Lewis). John Lee Hooker's popularity was revived with the album The Healer in 1989.
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blues genre

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The blues form, ubiquitous in jazz, rhythm and blues and rock and roll, is characterized by the call-and-response pattern, the blues scale and specific chord progressions, of which the twelve-bar blues is the most common. Dixon, Robert M.W. Handy was a formally trained musician, composer and arranger who helped to popularize the blues by transcribing and orchestrating blues in an almost symphonic style, with bands and singers. Blues is a music genre[3] and musical form which was originated in the Deep South of the United States around the 1860s[2] by African-Americans from roots in African musical traditions, African-American work songs, and spirituals. Early blues frequently took the form of a loose narrative, often relating the racial discrimination and other challenges experienced by African-Americans. Records. The "Trésor de la Langue Française informatisé" provides this etymology of. [121] Gospel music developed in the 1930s, with the Golden Gate Quartet. Blues has since evolved from unaccompanied vocal music and oral traditions of slaves into a wide variety of styles and subgenres. Chicago blues also influenced Louisiana's zydeco music,[95] with Clifton Chenier[96] using blues accents.

In the 1950s, soul music by Sam Cooke, Ray Charles and James Brown used gospel and blues music elements. Since the 1980s there has been a resurgence of interest in the blues among a certain part of the African-American population, particularly around Jackson, Mississippi and other deep South regions. During the 1980s blues also continued in both traditional and new forms. [33] This music is poorly documented, partly because of racial discrimination in U.S. society, including academic circles,[34] and partly because of the low rate of literacy among rural African Americans at the time. 「ブルース・ロック」とは、アメリカ南部で生まれた黒人発祥の音楽「 ブルース 」に「 ロック 」のテイストを加えたジャンルを指します。 (Parentheticals in Garofalo.). It was only in the first decades of the 20th century that the most common current structure became standard: the AAB pattern, consisting of a line sung over the four first bars, its repetition over the next four, and then a longer concluding line over the last bars. The origins of the blues are also closely related to the religious music of the Afro-American community, the spirituals. Bluesmen such as Big Bill Broonzy and Willie Dixon started looking for new markets in Europe. The blues form, ubiquitous in jazz, rhythm and blues and rock and roll, is characterized by the call-and-response pattern, the blues scale and specific chord progressions, of which t… And I can't get no hearing from that Memphis girl of mine, Although the blues gained an association with misery and oppression, the lyrics could also be humorous and raunchy:[15], Rebecca, Rebecca, get your big legs off of me, When this riff was played over the bass and the drums, the groove "feel" was created. Boogie-woogie was pioneered by the Chicago-based Jimmy Yancey and the Boogie-Woogie Trio (Albert Ammons, Pete Johnson and Meade Lux Lewis). John Lee Hooker's popularity was revived with the album The Healer in 1989.

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